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Posts Tagged ‘death’

Revival


The day your son died, the person you were died, too.
            —Mirabai Starr


Death came to her
as a blue sky day,
as a feral scream,
as an ambulance
with no need
for its siren.
Death came to her
saying, “Ma’am,
you don’t want
to see your son
this way.” Death
knew what it
was doing when
it erased everything
she’d thought
about how to meet
a day, when it scraped
her of who
she had been
and left her barren.
It was habit
that made her
brush her teeth,
routine that helped
her drive the car.
But it was life itself
that inspirited
her, slipping
 like starlight
into her every
dark cell, life itself
that whispered
to her death-bent heart,
You are not done
yet with your
loving.

*

this poem has been published in ONE ART

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after Hope II by Gustav Klimt


I am still thinking of the pregnant woman
on the fifth floor in room five hundred four
in a gold and jewel-toned Byzantine gown
with her eyes closed and her head bowed
down toward her swollen belly. Has she
glimpsed the gray skull attached to her womb?
Is this why her eyes are closed? Did she
somehow guess at what I now know—
that to say yes to a birth is to also say yes
to the death of that child—how the end
is in every one of us from the beginning.
It is right the soon-to-be mother
is nearly naked. This is what birth
and death do to us—no matter how
rich our clothes, we are utterly exposed—
not a damn thing to protect us
from our impermanence. I have fallen
in love with her, this mother to be—
in love with the curl of her fingers,
in love with the flex of her wrist,
in love with her flat and ornate robe,
in love with her delicate face,
and in love with her ripening shape—
this is how the human story goes.
Death hides in all our robes.
It’s the only way to live.


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Remembering




In the moments after
my father died
I slid next to him on the bed,
and though I held
the anchor of his body,
still warm, I felt untethered
from above and below—
felt the loss of my father
and the loss of my son—
and knew myself adrift alone.

For a long time, I lie there,
too loose, too free,
alone, alone, alone,
and a tender voice
I have heard before
said, Oh sweetheart,
did you forget?

I knew what it meant—
did I forget love would meet me
anywhere I am? And love
showed me in that moment
an infinite sea and said,
Sweetheart, it’s true,
you’re alone. It’s always been true.
And the only thing
that will ever ground you
is not the object of love,
but love itself.

And there in those infinite waters
love baptized me as its own.
No horizon in sight.
And I am not alone.

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Let’s say there’s a window
at the end of a long dark hall—
the more we walk toward it
the farther away it feels.
And then, let’s say, we stop
trying to get anywhere and meet
where we are. That is how
I found myself on the other side
of the window, released
into sky—blue sky, then tangerine
sky, then sky dusky pink.
That is how I found myself
talking with my son the way
we used to whenever he went
to camp—through the sky.
Only this time we didn’t talk.
We just were. Together.
I would say we were fused,
but more truly, perhaps, commingled,
as if our atoms were diffused enough
to commune. To know this
for a moment is to know it
forever—how it is that
there is no separation.
How it is that we are one.

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Missing My Father



When you miss him, look inside.
            —Deb Stevens, private correspondence


Today when I miss my father,
I hear him in my voice when I say,
You’ll go broke saving money.
I feel his tenderness in the way
I hold my own daughter’s hand.
His laugh blooms inside my laugh
when I giggle hee hee hee.
Here he is, ever inside me.
Returning home from his death,
I feel transformed,
or is it I feel more me—
the me he helped to shape
with his life, the me
he is fashioning with his death,
the me I’m still learning how to be.

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Cast your lot with all small things.
—Sharon Corcoran, from her new poetry collection The Two Worlds


Today I cast my lot
with the tiny tea leaves
giving their all to hot water.
I cast in with the light touch
of my brother’s hand on my shoulder
and the slight whimper my mother makes
when she finds in the closet the gift
my father had bought them for Christmas.
This, the first full day of life
without my father,
a loss so big
that all I can meet
are the smallest things—
candle flame, scrap of song,
orange butterfly wing.
They lead me like crumbs
toward courage, toward life—
and so I join in with the teeny blue flowers
still blooming on the rosemary bush.
I cast my lot with the thin creak of hope
heard only when tears are falling,
with the faintest gleam of love
only able to be seen in the darkness.

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Leaning All the Way In

If I let it be,
grief is a chair
that supports me
when I crumple.
It requires
nothing of me
except that I give it
all my weight.
Limp, I sink in,
and it doesn’t ask me
to try to pretend
I could rise.
It lets me wet leaf.
It lets me empty room.
It lets me vast sky of gray.
It holds me.
I lean in.
I nothing for a time.
I slow ache.
And grief says
yes to me.

*


oh friends, my father took his last breath this morning just after 5 a.m. he was loving and full of gratitude and
positive and warm till the end. I thank you for all the kind messages I have received–if I do not write you back, please know that I do read every message and thank you by name. I am so grateful for your support. I know the poems have been a fairly relentless chapter of grief–and love. And love. I have never been more in love with the world, even now, especially now. 

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from our birth … to our death … the wonderment …
             —Dr. Charles Henry Wahtola, Jr., November 19, 2021


And so as the priest leads us
in the litany for the time of death,
and though we are sincere
as we pray, Have mercy on your servant,
we laugh as my father tells Father Keith
the sermon can only be as long
as the pole at the entrance to the building.
We pray, Grant him your peace,
and I weep for the impending loss,
and then we laugh as I tell Dad
for the first time he has a front-row seat
for the service (he strongly
prefers the back row).
And mom delivers an impromptu sermon
and the priest steps back and listens.
And we fondly remember how my childhood priest
would sing the longest rite in the book,
and my brother and I look at each other
and recite in unison, this fragile earth our island home,
and we break into irrational joy.
We pray The Sursum Corda, The Sanctus,
The Lord’s Prayer, my voice
barely a whisper through tears,
then we’re laughing again as we remember
how Dad and my brother would escape
the service as fast as they could to go cast
in the river behind the church, and
there in the hospice room, we keep the feast,
Alleluia, alleluia. And all day long,
though perhaps we speak of football
or grilling or ducks, with every word, every tear,
every laugh, we are saying, Peace be with you.
With every hug, every kiss, every
touch, every breath, we respond,
And also with you.

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On the day my father begins hospice,
I watch the pronghorn in the field,
marvel as their brown- and white-striped bodies
nearly disappear in the dead grass where
they graze. If only I could camouflage
my father so death can’t find him, so that pain
would never have discovered him.
Tomorrow, my mother and brother and I
will gather around him the way a herd
might gather, circling him as some antelope
circle their young. But death will come.
And we, unable to run fast enough,
unable to hide, will meet it together.
And if I could fight death, would I? Whatever horns
I have are more for ritual than dangerous.
When death arrives, I want to bring
my softest self. I won’t bargain,
but I’ll tell death it’s taking the best of us—
the one who worked hardest to survive.
When death arrives, I want to ask it, Please,
be gentle. He suffered so much already.
I want to tell death, You don’t get all of him.
I carry in me his goodness, his courage.
While I live, he will always be alive in this field.

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One Boy




Today the heart is full of ghosts—
one doing backflips and one
eating ice cream and one throwing
rocks in the river. One drops
a camera into a lily pond while trying
to take a picture. One peels apples
and one rides on my hip and one
sings country songs. One lights a candle
and one blows it out and one spends hours
arguing about which of the ghosts is most right.
And one is never satisfied. And one
has a thousand dull gray eyes. And one,
one whispers, I’ve got this, Mom.
And I turn to them all, one at a time,
and say welcome, you’re all welcome here.
Even the ghost who slams the door.
Even the ghost who bristles, who swears.
Ghost playing drums. Ghost aiming
nerf guns. Ghost wearing button down shirts.
Ghost with a brain made for zeros and ones.
Ghost with hands in the dirt.
And the heart expands to hold them all—
or were its corridors already stretched?
Straight A ghost. Red canoe ghost. Ghost
of the man I’ll never know. Ghost
who sits beside me at the table,
who says nothing, sipping sweet tea.
Ghost who tucks me into bed, then
slips into my dreams.

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Leaning into the vastness
of the star drunk sky,
my heart a vehicle,
to my surprise
I heard a small click,
like the sound of a car door
opening,
and your voice,
Mom, hop in.
Let’s take a spin.

I startle, as if
waking from a dream,
heart pounding,
astonished to find you
in the driver’s seat
as you love to be, and me
just one yes away
from a joy ride
through the universe,
if only I can find
the door.

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The Gift


 
It still had its leaves on it,
the pomegranate she handed me.
And holding that smooth red sphere
in my palm, I felt not only
the jeweled weight of each bright seed,
but also the weight of the many nights
the fruit had hung on the tree,
felt how the nights had slowed the growth
so the fruit could develop more sugar.
Not all things get to ripen.
 
Oh, this small gift of sweetness.
How it opened in me such red tenderness—
the memory of a boy learning how
to open and eat a pomegranate,
scarlet juice trickling down his chin.
And now. I hold it in awe,
this beautiful thick-skinned globe,
hold it less like a fruit,
hold it more like a love
I was just beginning to know.
 

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Porosity




And so I learn I am porous—
learn I am not just dust,
but soil. Everything
moves through me.
I am not the container
I believed myself to be,
but a portion of earth
more other than self.

In a dream, I was told,
The body is permeable
to life and to death.

I want to remember
that voice. I want to remember
how it feels to be earth,
to know the self as both living
and dead.

I want to remember how absence
has never felt more holy,
how its sacredness is rivaled
only by the holiness of what’s here.

No separation, said the voice.
Remember.

I want to remember
the infinite dark inside
each infinite moment,
how both soil and time
are planted with stars.

Oh sweet teachings
that I cannot understand,
how they spiral out
like galaxies inside me,
how they slip
like loose soil through my hands.

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Perhaps three years ago
my son gave me three paper slips,
each one an IOU with his name and phone number
and the promise to do whatever I asked him to do.

I saved the slips in my bathroom drawer
where they mingled with hair ties
and toothpaste tubes,
until a month ago, when I wrote on one
in small blue cursive,
Please send a sign to your sister you love her.

And today, two months after his death,
a single postcard came, addressed to my daughter,
a postcard sent from Minnesota
but written in his hand.

It doesn’t say I love you. It’s a photo
of an old marketplace in Cusco,
a city he visited one week before he died.
He tells her about it, says it’s a place he enjoys.

And there, on the four-by-six cardstock,
unfurling between his handwritten words
is the unsaid message she seldom heard—

You’re important to me.
I love you. I miss you.
I’m grateful you’re in my life.

Consider this poem a thank you letter
addressed to what I can’t understand.
Thank you for finding a way to say
the words that couldn’t be said.
Thank you for letting an absence
tell a larger story. Thank you
for unusual postage.
For wonder. For special delivery.

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Reconciling




And there on the statement,
between the hardware store expense
and the do-it-yourself car wash,
was the charge
for Henderson and Sons Funeral Home.
How to reconcile this tide of loss?
Nowhere in my books
is a column for devastation.
No account for anguish,
for the loss of a slender young man
who loved ice cream
and cherries and helped me
roast pumpkins for pie.
There’s no way this number
on the statement can equate
to the boy who threw rocks in the river,
who snuggled with me
on the couch before school,
who built cars out of cardboard
and shish kebob sticks.
I can’t make it equal the seventeen years
we swam and hiked and baked
and sang—nor the years
he wept and raged and ached,
those years I learned how to pray.
In these unmoored days,
when I am more driftwood than boat,
I float through the churning wreckage of hope
and beg myself, stay open.
I lack the callous math
for such reconciliations.
I sob into the columns,
and the heart takes the lead—
it knows nothing of counting, of sums.
It knows only to love, to love.

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Waxing



Moon broken, my son said
when he was two,
and he pointed east
to the quarter moon.
Mommy fix it.

He believed I could.
I wanted to believe it, too,
wanted to believe
I could fix any broken thing—

the loose button on a doll,
the ripped page in a book,
a scraped up knee,
a tattered dream.

Tonight I gaze
at the low crescent moon.
I have lost my belief
in fixing.

Count me among
the broken things.
And my son is gone.
And my son is gone.
And the beautiful moon slips lower
into the almost dark.

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Years from now,
I want to remember
the way tears
became white doves
and flew away,
the way stepping stones
appeared to help me
cross an impossible
river, the way
a crumpled letter arrived
from the dead
to proclaim
I am surrounded with joy.
Oh woman who lives
in my skin years from now,
don’t try to pretend
it didn’t happen.
It did. A rainbow
blossomed above
your shoulder.
Your head opened up
to receive golden light.
Life wrapped its strong hands
around your heart.
And when you asked
your son, Are you close,
you felt against your ribs
a knocking
from the inside.

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For two hours, I am the woman
who works at the orphanage, the woman
who falls in love with a man from India
who is not who he says he is.
He and I make love for hours beneath a mirror,
twining our limbs in a sea of silk,
and he shows me the pleasure
of losing the stories I’ve told myself
about what is possible with love.
When, after many pages,
we arrive at happily ever after,
I find myself on the couch in my kitchen,
notice my own thick legs curled beneath me,
my own raw heart in my tired chest
doing its faithful work. I’m surprised
to return to my own story:
the woman who is grieving—
the woman alone
in the empty room who listens
for the voice that isn’t there,
who listens for footsteps that do not come.
For the last two hours, I had forgotten her,
had forgotten this woman
whose story I know as my own,
this woman who lost her son.
I had forgotten the ache she carries,
the constant throb. And though it cuts,
though it wounds,
I am so grateful to return to her life,
to her story—the story
of how she gave her everything
to someone she loved,
how she knows he loved her, too.
It’s not a story she had wanted to live,
but now that it’s hers
she would never give up a page
of their story. Not a single word.

*

this poem has been published in ONE ART

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In these days when the torrents of grief flood deep,
when sorrow pools like blood on the floor,
in these days when I can do nothing but meet this moment,
when I am too spent to say hello,
love comes to meet me where I am.
It holds me while I cry. It cradles me where I sit.
It steps with me as I walk. There was, at first,
a moment when I tried to push it away,
alarmed by this onslaught of love.
Too much, I protested, arms up in resistance,
but love obliterated my no.
It moved in to hold me from the inside,
slipped into my tissue, my bones,
it infused itself into each tiny cell, each organelle,
and made inside me a home. Since that moment,
I am never alone. Now it is love that moves my hand.
Love that shapes each word. Love that helps me rise.
Love that pours the tea.
Love that wakes with me in the middle of the night.
Autonomic love that makes the heart beat,
autonomic love that makes the lungs breathe.
autonomic love that meets the impossible grief
and surrounds it with an impossible grace.
Love that grips me around the heart
as if to save me from drowning.
Love that murmurs again and again,
I’ve got you, Sweetheart, I’ve got you.

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As Francis lay dying
in his humble hut,
he wrote a praise poem
that honored Sister Death.
And when death came
to dance with him,
he did not shun her
nor shame her nor
push her away.
He embraced her
the way he embraced
the sun, the wind,
the water, the air.
He claimed her as family,
as dance partner, guide.
Oh Francis, here
in the hut of my heart
is a wooden box of ashes
about the size of a baby.
I can cradle it, carry it,
sway with it slow
the way I once did
with the boy in the box, now dust,
the boy the coroner
swaddled in white.
I did not want this dance.
I stumble. I trip.
I am awkward, ungainly.
Sister Death is certain, serene.
I would have barred
the doors if I could have, Francis,
but now she walks with me,
sleeps with me, makes
dinner and cleans with me.
There is no locking her out.
She brings me the costliest gifts:
Trust in life. Immeasurable love.
Perfume of the great mystery.
I tell her I’d trade them all back
for my son. She whispers,
Oh, sister. Dance with me.

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