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Archive for January, 2022

The Opening

Finn dancing, April 2021




Like this lily on the table
giving its everything to the world,
that’s the way I see your life.
For seventeen years, I watched you
open and open and open—
watched you hurl your body
off cliffs on skis. Watched you leap
on the stage more gazelle
than boy. Heard you weep
when your friends broke your heart.
Full on, my love, that’s how you lived,
the way so few others dare.
I saw you fail and try and fail and try
and fail and try again—every morning,
your petals outspread as you learned
how to be in this world, this world
that does its best to close us down.
You were the perfume of the wide open lily—
in every room you entered,
even when you were quiet,
everyone knew you were there.
Your presence. Your presence.
I honor the way you lived,
splaying wide, then wider,
your heart on full display until
you could no longer live this way.
I want to give myself
to this opening, though it hurts,
though I am left with the absence
of your bloom. I want to honor
the way you charged every room
of my heart with the beauty,
the pain of your being.  
I want to open
to the every memory of you—
to the memories where you shine,
to the memories where you
say goodbye to this world,
this world that asks for everything—
though the opening makes me weep,
though the opening asks me,
oh please, god, oh please, no,
not this,
the opening asks me for everything.

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Not everything broken
need be fixed.
Even the loveliest cup,
the one that seemed perfection,
the one that fit
just right in the hand
and held the favorite wine,
even that cup is only a cup,
and, being fashioned
out of breakable clay,
it was, we could say,
made to be broken.
The fact it was fragile
was always a part of its value.
In shattered fragments,
the cup is no less
treasured—perhaps
even more treasured now
that its wholeness
isn’t taken for granted.
There are some who
would throw the pieces away.
There are some who
would meet them with
glue or even with gold
in an effort to repair.
But there are some
who will cherish what is broken,
hold it even more tenderly now,
trusting its use—
though different—
is no less valuable.
Trusting a fragment
is sometimes more than enough.
Trusting in every end
is a beginning,
and we might now
sip our wine
straight from the source.


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For two hours, I am
more lung than thought,
more legs than loss,
more heart beat
than heart ache,
and so holy alive
as I become rhythm
of push and glide,
push and glide,
pole and swing,
I transform into
a flying thing—
each shift from ski
to sliding ski
a calling on balance
that comes from
the core.
By the time
I ski back to the car,
it’s not that I have forgotten
my loss, it’s just
that every cell in me
now remembers
the dance between
falling and recovery,
falling and recovery—
how it happens
again and again—
how this is the way
we recalibrate
we fall, we recover,
we move forward.

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In Your Honor




Before I rise, I realize
the cat has curled herself
into my side and my hand
floats to her slender spine.
So soft, she is, and I
remember how much
you loved everything soft—
blankets and stuffies,
pillows and clothes.
Remember how you begged me
for that plush purple owl?
And I remember how soft
your hair was, how soft
your skin, how soft
your heart even after
you learned to harden it.
I think of how
you come to me now
in feathers, in dreams,
in whispers. Oh world,
I want to beg, help me
stay soft. Like a fist
that, once stiffened,
remembers it can open.
Like a bird on a winter
morning, near frozen,
remembering not only
that it has wings, but
that it can fly.
Like your hands,
the day you were born.
Like your drowsy voice when,
before sleep, you’d murmur,
Love you, mama.
Sweet dreams.

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Apulosis




They’re almost invisible now,
these scars on my hands—
cuts from cat claws
and thorn bushes,
barbed wire fences.
I have long since forgotten
their stories.  
It’s what the body does—
forms new fibers
to mend damage.
But what of when
the wound has touched
every part of the body,
every part of the heart,
every part of story
of who you are?
How long will
there be healing
before there’s a scar?
Will it be raised?
Or sunken? Or flat?
I run a fingertip
along the thin pale lines
on the back of my right hand.
These scars, I see
are repairs made by time
and biology.
But some scars,
I believe,
are beyond the body.
Some scars
can only be knit
by miracle.

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     for Janet Kaye Schoeberlein, March 26, 1930-Dec. 28, 2021

When I was fourteen, Jan gave me her flannel nightgowns,
the long white ones with tiny blue flowers
that I had admired on her for years.
When I wore them, I wore
the classical music always playing
in the background in her home.
I wore the high tilting treble of her voice
as she sang around the campfire.
I wore her world class hiccups that always
seemed to arrive when she didn’t approve
of what was about to happen.
I wore desert river adventures
and trips to the theater downtown
and dinners with foods I’d never tried before.
And though I didn’t know it then,
I wore the past of her childhood in Germany,
and her memory of how she graduated law school
as the only woman in her class.
I wore her willingness to raise her young nephew
and her joy in raising her daughter
and the way she always said my name
as if I were a south American flower.
Those nightgowns, I took their shape,
loved the way their soft cloth swirled
around my body, wrapping me in eccentricity.
I still wear the other hand me downs she gave me—
Curiosity. Independence. Individuality.
Because she was so herself,
she taught me I could trust myself to be me.
She was the queen of oddness,
a model of uniqueness,
an archetype of being true.
To this day I feel these qualities
swirl around me, too—
the comfort of her integrity
the warmth of her generosity,
the way Jan was so very, very Jan.

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What I need tonight is a chair—
the big upholstered kind
that sighs when I sit into it,
the kind that holds me the way
I used to imagine a cloud would hold me—
downy, cozy, comfy, secure
and filled with light.
I need a chair that will make me
not want to get up to do
whatever important thing
I think I must do.
Why do I always think I need
to do something? Why
is it so hard to just sit?
So, I guess, what I really need is a chair
and a seatbelt, the kind
they have on helicopters
with five straps that meet
in the center—though
I think those are self-release,
and we all know I will soon
feel driven to rise and rush,
no matter how cumulonimbus-ish
that chair might feel, no matter
how insistent the straps.
So tonight, what I really need
is a soft chair and a five-strap seat belt
and a giant weighted blanket—
not heavy enough to crush me,
but one with enough gravity
that being still feels like the only
real choice. And if I am still, very still,
and not accomplishing anything for a while,
then perhaps I will meet this grief
I am escaping—not that I am trying
to escape it on purpose, it’s just
there is so much important
stuff to do and, perhaps,
let’s say I’ve noticed that when I just sit,
just sit,
with nothing to read and nothing
to do, the grief sits with me
and asks nothing of me except
that I meet it. In that moment,
I remember turning toward grief
is what I most want to do.
In that moment, there is nothing
on any to do list that could deter me
from meeting this grief.
Oh world, I remember.
I remember right now,
so please, what I need most tonight,
it doesn’t matter how soft,
is a chair.

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Unity




Today we lose the words
yours and mine and find
in their absence a song
that can only be sung together.
How did we ever think
we could attempt
this humanness alone?
To the table of love,
we bring soup, bring cherries,
bring the bread of our own
sweet communion.
We bring scissors to cut away
the tresses of the past,
bring dark wine to toast
the courage of showing up exposed.
And when we forget
the words to the song,
well, there is always laughter.
And when we forget to laugh,
well, there is always
the union of tears—
the way many rivers
become one river,
the way many voices
become one song.

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Communion

Now, when I am alone
I am never alone. I walk
outside or get in my car
and reflexively say hello
to my beloveds no longer here,
calling them by name.
I love to say their names—
like singing a favorite song.
I love to tell them about
the bald eagles this morning
carving the sky above the river,
about the carrot soup
I will make for dinner,
about how my ears, my mind
and my arms miss their voices,
their opinions, their touch.
During the day, they are
my shadows, always
attached, but silent.
During the night, when
I am part shadow,
they welcome me
deeper into the night.

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Your sister and I finished
this year’s gingerbread house—
not a duplex this time,
nor two condos connected
by a gingerbread bridge.
It’s a single house with angled walls
like in the Jan Brett illustrations.
How can I be so happy and so sad
at the same time?
It’s like being a rose
that has lost all its petals and yet
is in full petalled bloom.

There is, in every moment,
an opening that appears—
and I find I often stand
in the threshold, one foot
in now and the other
with you in eternity.
Then the kitchen
is not only a kitchen.
but a garden.
And every gardener knows
she must grow first herself.
And the baker knows
everything she makes
is made to disappear
in its prime.

And so it is on this night
of decorating gingerbread,
your sister and I use bright candies
and thin pretzel sticks to make
a one-room house
unlike any we’ve made before.
And we laugh. And I miss you.
My petals drift across the floor.
My petals open into wider bloom.

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