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Archive for January, 2022

Apricity



The miracle is not to walk on water. The miracle is to walk on the green Earth in the present moment, to appreciate the peace and beauty that are available now.
—Thich Nhat Hanh


Today the miracle is to sit
in the sunlit room and be
in the sunlit room,
to be here and only here,
here in the bountiful silence,
here in the shifting shadows,
here in the hands of midwinter,
not in this same room five years ago,
but now as the tulips
drop the soft curls of their petals
like lingering pink praise.
So seldom in these grief ridden days
do I feel a feeling so pure
as this peace that arrives
on the low-angled light
when I am quiet and still
and the world invites me
to show up for whatever
slim warmth there is, and
know it is enough.

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I Bless Every Yes I Said




There were nights when my son
would come to me late, like midnight,
and say, Mom, come on, let’s go drive.
And though I was tired, and though I knew
the canyon roads would make my stomach turn,
I’d say yes, because I was glad he’d ask,
and we’d get in the Ford and I’d feel the thrill
as it flooded him each time he’d sit at the wheel.
The night was our cathedral.
And we’d talk, or we wouldn’t, and he’d drive
us up to the top of the Dallas Divide.
I’d feel like heaving my guts every time. But damn,
how I loved those nights. The hymn of the wheels.
His smile. His laugh. The quiet canticle of breath.
No matter what choices came later,
I have those times he steered toward joy,
Those nights when we were so alive
and we’d drive, just drive.

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Preparation




Not the butcher knife and not the axe—
those instruments that whack and slash.
Oh life, give me the paring knife that fits easily
in the hand. I am wounded from the larger blades,
scarred by all they’ve cut away. Am I the wielder
of the knife? Or the one that’s being carved?
If I had my way, I’d shape my days with purpose
and precision—cut away what’s rotten,
peel and trim what doesn’t serve and still
preserve the whole. I want to be dexterous,
agile, deft. I want to be careful with what is left.
And what is left—it’s become more precious
knowing how quickly it might be sliced away.
Oh, let’s be real. If it were my hand,
I’d be hard pressed to use a blade at all,
no matter how slim, no matter how small.
For each time it moves, I hear the blade sing,
when this work is done, you’ll lose everything.
And it catches the light as it shaves and pares.
And less is here. And less is here.




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How are you?
she asks walking by
as I sit on my bumper
and unlace my ski boots.
And I say, The track is amazing today,
and it’s true, the snow is hard and fast
and my lungs are still burning
from pushing myself
in the cold winter air.
What I mean is, I miss
my son every minute,
and my heart feels like
a skinned rabbit still alive.
She says, What length are your skis?
I know what she means is,
Oh friend, I have felt that way, too.
And I tell her one ninety,
and we talk about how much
has changed over the years—
like ski lengths, like skins versus scales.
What I mean:
Like the way a person is here
and then they are not.
Like the way I once
could hold him.
Like the way he could once hold me.

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Sometimes, when I fear
the small light I bring
isn’t big enough or bright
enough, I think of that night
on the beach years ago
when every step I took
in the cool wet sand turned
a glowing, iridescent blue—
and the waves themselves
were a flashing greenish hue—
imagine we could do
what 7.9 billion
one-celled plankton can do—
can shine when it’s dark,
can shine when agitated,
can shine with our own
inner light and trust when we all
bring the tiny light we have,
it’s enough to illumine the next step
in the long stretch of night.
 
 
 
 

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This Season


 
 
It is true, every day
brings a sadness—
sometimes like a blizzard,
sometimes like sleet,
sometimes like a clear morning
of fifteen below,
but I do not wish any of it away.
 
On the coldest mornings here,
the birds that choose to stay
fluff up their feathers
to trap in the chill air,
warming it with their own bodies
until it becomes their insulation.
 
This is, perhaps, how it is with grief—
by holding it close,
it transforms from something
that would hurt me
to something I infuse
with my own being,
thus becoming something
that allows me to survive.
 
It would be wrong
to say I like it. But I hear
how, with every day,
it is teaching me
a new way to sing.

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Practical Application




Knowing now how one moment
rewrites every moment after it;
how in an instant, the heart can trip
over its own beat and need to be retaught
how to love; how irreversible takes
only a second to say and yet
contains all eternity; how quickly our breath
can be claimed by the tides of forever,

for this I buy deep pink tulips for the table.
For this I make Dutch apple pie.
For this I walk through the canyon
in moonlight. I remind myself no guarantees.
For this, I pull you in and hold you. For this,
I stand still in the spruce trees and breathe.

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Again, the heart
is a too-tender thing—
its wild ache spreads
through the tinder
of the chest
until all is ravaged
and all is singed
and red is too red
and raw is too raw
and each feral beat is
a bell clanging run,
but there’s nowhere
to run to,
and love is too
goddamn alive
and each pulse
spills more
kerosene


it is a long time
before I feel
the stars
reach down
to hold me.

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Temple




O body, cracked bell
that still sings when struck,
O leaky cup,
O broken stem,
I love you, body,
your crooked path,
your crumbling walls,
your faulty math.
I love the way
you stopped believing
you could ever
hold it all,
how you began
to let yourself
become the one
that’s being held.
I love the graffiti
on your inner halls—
scrawled names of all
who shaped you.
O body, my wreck,
my holey glove,
my street worn sole,
my crumpled page,
forgive me for years
of trying to fix you,
for believing the fable
of whole,
you, my perfect
splattered heart,
my stuttered hymn,
my sacred
begging bowl.

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Off the Clock




I want to wake with no sense of what a minute is—
no watch on my hand, no dial on the wall,
no method to measure this life into units of should.
I want to lean into the spell of sunlight like orchids on the sill.
I want to be a question only the moment can answer,
want bergamot to tell me it’s time for tea.
And if there is a pressing yes, then let it find me.
Let me feel into the field of my upper back—
how spacious it becomes when I act with integrity.
Let me be rhythm of shadow and birdsong
let me be rising wind. Let me be time itself,
not the arrow of time, but the infinite sea
and the sand that slips and the silence that swells
in the absence of tick tick tick. I want to wake
to no hands but yours and mine. To be born into the day.
No was. No will. No once. No when.
No deadline. No finish line. No wrong date. No too late.
No too late. Not even a little too late. It would never be too late.

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