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Posts Tagged ‘letting go’

Preparation




Not the butcher knife and not the axe—
those instruments that whack and slash.
Oh life, give me the paring knife that fits easily
in the hand. I am wounded from the larger blades,
scarred by all they’ve cut away. Am I the wielder
of the knife? Or the one that’s being carved?
If I had my way, I’d shape my days with purpose
and precision—cut away what’s rotten,
peel and trim what doesn’t serve and still
preserve the whole. I want to be dexterous,
agile, deft. I want to be careful with what is left.
And what is left—it’s become more precious
knowing how quickly it might be sliced away.
Oh, let’s be real. If it were my hand,
I’d be hard pressed to use a blade at all,
no matter how slim, no matter how small.
For each time it moves, I hear the blade sing,
when this work is done, you’ll lose everything.
And it catches the light as it shaves and pares.
And less is here. And less is here.




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It was a dream, but I tell you
everything was on fire in the house—
I knew the whole island would burn,
and I had to choose what to take
and I ran past the old records
and thought, I have those songs in me,
and I ran past the books
and thought, I have those stories,
and I ran past the photos
and thought, those memories
are already with me,
so I ran, chased by flames,
toward the ocean
with the only thing
I can really carry, this buoyant love,
and I dove in, hands empty,
able to cup the water
and pull through the tide.
The salt water lifted me,
whispered in waves: letting go
is what keeps you alive

*

Hi friends, sorry the poem is late! We had no internet last night. Happy almost solstice–I have never been so ready for the light. 
Love, Rosemerry

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Erosion



We are being given the chance to become who we are supposed to be.
            —Judith Jordan Kalush, in conversation


I didn’t know I’d found a thin ledge
where I could rest, I didn’t know
I had come to feel settled there
until the ledge crumbled.
I clung to the ground as it fell.

It’s not just the ledge
coming apart, it’s me
being dismantled, undone by loss,
and it hurts, and I’m sad, and it’s hard,
but I notice no impulse to fix it.

Today there is a spaciousness in grief
I could not have known was here—
Ungrounded, I expand in every direction.
I let go of what I thought was solid.
I kiss the letting go.  

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I wish you the peace of sleep,
your breath a canoe
that carries you
toward the next moment
without any need
for you to touch the oars.
How easily you arrive.

Oh, to trust the world like that—
trust you will be carried,
not just in sleep,
but in waking dreams,
trust no matter how high the waves,
the skiff of grace
has a seat for you.
And oh, to let go of the oars—
there is no steering
toward what comes next.

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not reading the book
on letting go—
she opens her hand

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Porous

with thanks to Joi Sharp


Yesterday I widened to hold it all—
made room in the heart
for every pain, every joy,
a vase infinitely large
to hold an infinite bouquet of feelings

Today, all it took
was two beautiful questions—
Why do you think you must
hold it all? What if you let
it all pass through?

In that moment,
the vase didn’t shatter,
it simply disappeared
and the infinite feelings
I’d been stretching to hold
I felt them, I felt them all,
then felt them move through me
the way water runs
through a colander, the way
oxygen moves through
the thin walls of alveoli,
the way sand moves through
the center of the hourglass.

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Teach me
to trust
the hope
that blooms
inside
the loss,
the love
that’s at
the heart
of fear—
teach me
to molt,
to slough,
to shed,
to doff,
to meet
the first light
and then
let even that
go.

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After holding something tight for just minutes,
it takes ten more for the fist to unhold,
to let what it has been grasping
simply balance there in the palm.

I have heard the story of how they trap monkeys
by putting a treat through a hole just big enough
that the monkey’s hand can slip in, but
when clasped around the sweet,
cannot slip out.

I have been one of the rare monkeys
who knows that to be free, it must let go.
It takes time, but eventually the fingers unfurl
the way a leaf unfolds out of its bud—
not all at once, but in spurts, little jerks
of the knuckles, until at last the hand is open
and the fingers remember
what they can do besides clench,
besides clutch, besides clamp.

Today I wonder if the head might learn
what the hand knows, might to slacken and relax
to release a dream.
It never knew holding a dream
could become a problem—
it was a dream, for heaven’s sakes.
Something good. Something wonderful.
Something sweet.

When did the dream become a trap?
A tightening, a snare?
Oh dream, can I let you go
the way a hand might release a piece of paper?
Such a beautiful dream—
that those around me might truly be happy
if only I am good enough, if only I hang on.

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The swirling ash

doesn’t try

to be become

log again.

The flying leaves

don’t attempt

to return

to the tree.

The girl

can’t untwist

her genome

back into

separate strands.

The flour

in the bread

can’t return

to the sack,

can’t undo

the kneading

of hands.

In all things

lives a memory

of letting go

and the chance

to transform

into what

it can’t know.

What do you say

to that, heart?

Good self,

what do you say

to that?

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A pomegranate, tennis racket,

wide open lily—basically anything

can act as a Trojan horse to get

those old ideas close to me,

and dang, I’m confronted again

with all the ways I’ve let down

the world and all the ways

I could have, I should have

done better. How many times

have I tried to escape these thoughts?

I’ve run mountain races and

written thousands of pages

and wept a spring flood and

confessed and bled and still

they find a way back to me.

Sometimes they come knives drawn,

but more often they come

wearing fluffy robes and slippers,

making themselves at home.

I cornered one today, looked it

right in the eye. What? I said.

What do I have to do?

It shook its head and said,

All I ever wanted

was for you to say thank you.

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Lightly, lightly. It’s the best advice ever given to me.  

–Aldous Huxley, Island

Eventually I learn

that anything I would hold onto

will weigh me down—

sorrow, of course,

but even delight.

And there is no predicting

when the next step

will find me travelling

onto thin ice—

so I remind myself

each step, each breath,

each grasp, each hope,

go light, go light.

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            on seeing The Lovers by Pablo Picasso when I was sixteen

Perhaps because I was in love

I fell in love with The Lovers—

fell in love with the way

the man held the woman from behind.

Fell in love with his red,

with her yellow and green.

Fell in love with his gaze,

with the tilt of her head.

I knew what it was like

to be that woman.

Even now, looking

at the painting in pixels,

not in oil on linen,

I feel it—the harmony

of the blue sky behind them,

a sky somehow boundless

inside of them, too.

Thirty years later,

I’m still charged with that blue.

And whatever it is

that forces the woman

to look beyond the frame,

I remember that, too.

It’s as if she can’t quite see

what’s about to happen,

so with one hand,

she holds on to her lover.

With the other, she reaches,

or is she holding herself?

And here’s what I grasp

that she doesn’t yet know—

how hard it will be, how hard

it will be to let go.

The Lovers by Pablo Picasso

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Though it’s July, the grass is iced

from last night’s frost, and the heart-shaped leaves

of the pole beans hang limp and dead.

And so the chance to practice letting go.

It’s too bad, of course,

but the stakes are low.

It was only one row,

a handful of seeds,

a hankering for fresh green beans.

Not a livelihood. Not a child.

Not a hope. Not a dream.

Just a small row of leaves

that do what leaves do.

No one to point a finger at.

No one to pick a fight with.

Just this practice of meeting  

the world as it is. This chance to start again—

the work of the living.

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Pushing Buttons

 

Doing something typically feels better than doing nothing.

—Ellen Langer, Harvard Psychologist quoted in “Illusion of Control: Why the world is full of buttons that don’t work,” CNN

 

 

The world is full of buttons

that do nothing—buttons

at crosswalks, in elevators,

in hotel rooms—buttons

that can be pushed, but in

fact have no functionality.

The Harvard psychologist

suggests that these buttons

serve a purpose: they help

people feel as if they have

some control: she says

it feels good to have

something to do.

 

We could, I suppose, make

buttons to press for these

careening days when we

realize just how little control

we have. Not over death.

Not over weather. Not

over anyone’s heart—not

even our own.

 

Or we could press

our own belly buttons—

a reminder there are

a few things we can do:

Write letters. Walk. Say

thank you. Practice peace.

Protest. Wear a raincoat.

Take Vitamin B.

And, of course, the most

difficult thing of all—

to say yes to not being in control,

to dance in that uncomfortable

place, laughing like a stream.

 

 

 

*

 

read the full article here: http://edition.cnn.com/style/article/placebo-buttons-design/index.html

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What wants to happen?

            —Joi Sharp

 

 

Today it is the tow truck

that leads me back to myself.

For though I call the driver

and though I receive

a text that says he is coming

and though I have paid

my AAA bill on time, the tow

truck does not arrive.

Though I did everything right.

Though the same actions have worked before.

Still the world has not turned out

the way I expected, the way

I want it to. The car

is still stranded. The tow truck

is still not here. Oh failure,

how clearly it shows my attachment

to outcome. How clearly it

shows me the world is in charge.

I look for more doors to knock on,

try to plan more ways to control.

Meanwhile, I am the door.

Meanwhile, this chance

to let go.

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The way the spruce tree

holds the wet snow—how

 

in a blizzard its branches

will bend and bend

 

and bend until they release—

that is the way I want to love you,

 

want to trust that I can hold

the weight of you as you fall,

 

as you continue to fall,

hold you until it seems I will break

 

and then, just when I’m sure

I can’t take any more,

 

release you back into yourself—

not in anger, not in fear,

 

not with guilt—release you

with green resilience

 

so that come the next storm

I am prepared

 

to catch you again, again,

and let you go.

 

 

 

 

 

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It took five days, but at last I thought of you, old friend,

friend I loved and wanted to trust, friend

 

who burned every bridge I tried to build between us,

who turned gratitude and apology to smoke, to ash,

 

who taught me that love is not enough—a lesson

I never wanted to learn, which is why I am grateful

 

you helped me to learn it.

No one gets through life without injury.

 

Still, I wanted to believe that a kiss and forgiveness

could make things better, but some things

 

are better left broken. Thank you for teaching me

that all passes, that even without a road, without

 

a bridge, without a track, the train of time

finds a way to keep moving, eventually

 

speeding by so fast that what seemed

unable to be overcome becomes a blur

 

and that hope gives way to something even

more beautiful: saying yes to what is real.

 

So though you will never know it, I forgive you

for your scissored words and sharpened

 

silences. I forgive you for giving up on love,

for saying no, goodbye. It takes almost no effort now.

 

Even uranium has a half-life—albeit 4.5 billion years.

How much sooner forgiveness has come. More like a lawn

 

that went unwatered and dried to brown, to dust,

but then when seasonal rains returned, turned green.

 

Yes, thriving and lush, here is the new lay of the land,

ready for anyone to arrive. Anyone. Even you.

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As summer leans into the fall,

as sunflowers that lose all

their petals—though it takes

some time. As rhyme

 

that slips toward normal speech.

As evening drifting toward the night.

And when you’re really sure

you’re right, let go as snow evaporates,

 

as puddles dry, as clouds

disperse, as waves unwave,

as light rehearses shadow.

And if you’re still sold

 

you are right, then practice

quietude. Like dirt. Like

bark. Like pearl. Like grass.

Like the moon, so dark, so new.

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Without A Map

 

 

Silly me, I thought the boat was empty.

Thought there was no one else here to paddle

or steer. Thought I was alone and too small

to reach the rudder, too weak to lift

the great oars, somehow not seeing

the sea itself as captain, the sea itself as crew,

its waves carrying me places I never knew I needed

to go until, on that strange new shore, I found

myself exactly where I needed to be,

shipwrecked and wildly alive.

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Today it slipped into my daughter,

the seed that all is not right in the world.

 

In a matter of hours, already

the tap roots had grown beyond

 

my ability to pull them out.

I wonder if I have been wrong

 

to keep her garden so tidy.

I wonder how to best teach her

 

to tend her own rows.

It will be endless now,

 

the onslaught, as every gardener knows.

And there is some pleasure in tending.

 

I think of how I would rather

be aware of all that grows.

 

I think of how sometimes

we change our minds

 

about what is wanted

and what is a weed.

 

Some part of me longs

to swing the sun back to yesterday.

 

Some part of me rejoices

that now all the world

 

is her garden.

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