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Revival


The day your son died, the person you were died, too.
            —Mirabai Starr


Death came to her
as a blue sky day,
as a feral scream,
as an ambulance
with no need
for its siren.
Death came to her
saying, “Ma’am,
you don’t want
to see your son
this way.” Death
knew what it
was doing when
it erased everything
she’d thought
about how to meet
a day, when it scraped
her of who
she had been
and left her barren.
It was habit
that made her
brush her teeth,
routine that helped
her drive the car.
But it was life itself
that inspirited
her, slipping
 like starlight
into her every
dark cell, life itself
that whispered
to her death-bent heart,
You are not done
yet with your
loving.

*

this poem has been published in ONE ART

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Tonight your absence
is a long-haired cat—
circling me, nudging me,
curling in my lap
and deciding to stay.

Is it strange to say
I love the presence
of your absence—
not the fact you are gone,
but the way it reminds me
I have made a life
of loving you—a choice
I will again and again make.

This is what I want:
To be awed by how
you still teach me
to love;
to be inspired
by how you still insist
I meet life as it is,
not life the way
I wish it would be.

I want to hold out my arms
and lean into the spaces
you’ve left behind.
I want to be as close
to your memory
as this cat in my lap—
how it molds to my shape,
how it makes of my body
a home.


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Ode to the Saltine Cracker




Oh, salty square,
oh, bite that turns
to savory paste,
oh, flaky wafers
stacked in long
white plastic sleeves,
you fed the boy
who could never
eat enough,
attended him
through online school,
travelled with him
in his book-laden backpack,
fueled him as he
researched twin-
turbocharged V-8 engines
and fawned over
Italian luxury cars.
Finding you today
out of place
on the shelf beside
my thesaurus,
an unopened box,
I crumpled,
longing for the boy
who would have opened you.
I’d love to clean
your stupid crumbs
from the couch.
All afternoon, I taste it,
this daily salt
that falls to my lips.

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But I found myself
rigid in the room where my son
took his life. And I sat
on the floor in the doorway
where he had last sat,
where his blood had pooled
and the air had briefly smelled
of burning. I sat there
beneath the wall
where the bullet had made
its narrow hole. I sat there
with my coil of sorrow.
I didn’t want to meet it.
I desperately wanted to meet it.
I wanted to give sorrow space.
I wanted to crawl inside it.
I wanted to be anywhere
but there on the dark wood floor
in the night dark room,
and I wanted to be wholly,
completely, obliteratingly there.
Fear-ridden, ferocious,I met it all,
felt the current pushing through.
Acceptance is a filament
that takes our resistance
and makes it bright,
makes it luminous enough
that we might see ourselves
exactly as we are.
I did not find my son
in that doorway. Perhaps
I had hoped I would.
But I saw the light
that came with me.
I softened into that light.

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One Boy




Today the heart is full of ghosts—
one doing backflips and one
eating ice cream and one throwing
rocks in the river. One drops
a camera into a lily pond while trying
to take a picture. One peels apples
and one rides on my hip and one
sings country songs. One lights a candle
and one blows it out and one spends hours
arguing about which of the ghosts is most right.
And one is never satisfied. And one
has a thousand dull gray eyes. And one,
one whispers, I’ve got this, Mom.
And I turn to them all, one at a time,
and say welcome, you’re all welcome here.
Even the ghost who slams the door.
Even the ghost who bristles, who swears.
Ghost playing drums. Ghost aiming
nerf guns. Ghost wearing button down shirts.
Ghost with a brain made for zeros and ones.
Ghost with hands in the dirt.
And the heart expands to hold them all—
or were its corridors already stretched?
Straight A ghost. Red canoe ghost. Ghost
of the man I’ll never know. Ghost
who sits beside me at the table,
who says nothing, sipping sweet tea.
Ghost who tucks me into bed, then
slips into my dreams.

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Leaning into the vastness
of the star drunk sky,
my heart a vehicle,
to my surprise
I heard a small click,
like the sound of a car door
opening,
and your voice,
Mom, hop in.
Let’s take a spin.

I startle, as if
waking from a dream,
heart pounding,
astonished to find you
in the driver’s seat
as you love to be, and me
just one yes away
from a joy ride
through the universe,
if only I can find
the door.

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Ambush

 
It was the orange juice aisle that did it.
I stood there staring at cartons
I knew I wouldn’t buy because you
are gone. My son, I stumble on you
everywhere you are not. Which is everywhere.
The only way to learn how to meet
your absence is by meeting it.
In the car. At the table. In the yard.
On the phone. At the school.
And there in the orange juice aisle
where I stared at the cartons on the shelf
then walked on, the cart still empty.

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The Gift


 
It still had its leaves on it,
the pomegranate she handed me.
And holding that smooth red sphere
in my palm, I felt not only
the jeweled weight of each bright seed,
but also the weight of the many nights
the fruit had hung on the tree,
felt how the nights had slowed the growth
so the fruit could develop more sugar.
Not all things get to ripen.
 
Oh, this small gift of sweetness.
How it opened in me such red tenderness—
the memory of a boy learning how
to open and eat a pomegranate,
scarlet juice trickling down his chin.
And now. I hold it in awe,
this beautiful thick-skinned globe,
hold it less like a fruit,
hold it more like a love
I was just beginning to know.
 

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Reconciling




And there on the statement,
between the hardware store expense
and the do-it-yourself car wash,
was the charge
for Henderson and Sons Funeral Home.
How to reconcile this tide of loss?
Nowhere in my books
is a column for devastation.
No account for anguish,
for the loss of a slender young man
who loved ice cream
and cherries and helped me
roast pumpkins for pie.
There’s no way this number
on the statement can equate
to the boy who threw rocks in the river,
who snuggled with me
on the couch before school,
who built cars out of cardboard
and shish kebob sticks.
I can’t make it equal the seventeen years
we swam and hiked and baked
and sang—nor the years
he wept and raged and ached,
those years I learned how to pray.
In these unmoored days,
when I am more driftwood than boat,
I float through the churning wreckage of hope
and beg myself, stay open.
I lack the callous math
for such reconciliations.
I sob into the columns,
and the heart takes the lead—
it knows nothing of counting, of sums.
It knows only to love, to love.

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Waxing



Moon broken, my son said
when he was two,
and he pointed east
to the quarter moon.
Mommy fix it.

He believed I could.
I wanted to believe it, too,
wanted to believe
I could fix any broken thing—

the loose button on a doll,
the ripped page in a book,
a scraped up knee,
a tattered dream.

Tonight I gaze
at the low crescent moon.
I have lost my belief
in fixing.

Count me among
the broken things.
And my son is gone.
And my son is gone.
And the beautiful moon slips lower
into the almost dark.

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Physics of Grief




Before I could feel grief’s full weight,
love came to meet it, and though love did not
take away the grief, not even a picogram,
it dispersed the grief into its smallest bits,
as if to increase the surface area interface
so now every single atom of grief
is surrounded, is cushioned by love.

My friend offers me words in Igbo.
Udo diri, he says. There is peace, somehow.
How, when my bright beamish boy is dead?
Yet here in the unlikely physics of grief,
love holds so tenderly each smallest bit,
and somehow, my boy, can you feel it? peace.

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For two hours, I am the woman
who works at the orphanage, the woman
who falls in love with a man from India
who is not who he says he is.
He and I make love for hours beneath a mirror,
twining our limbs in a sea of silk,
and he shows me the pleasure
of losing the stories I’ve told myself
about what is possible with love.
When, after many pages,
we arrive at happily ever after,
I find myself on the couch in my kitchen,
notice my own thick legs curled beneath me,
my own raw heart in my tired chest
doing its faithful work. I’m surprised
to return to my own story:
the woman who is grieving—
the woman alone
in the empty room who listens
for the voice that isn’t there,
who listens for footsteps that do not come.
For the last two hours, I had forgotten her,
had forgotten this woman
whose story I know as my own,
this woman who lost her son.
I had forgotten the ache she carries,
the constant throb. And though it cuts,
though it wounds,
I am so grateful to return to her life,
to her story—the story
of how she gave her everything
to someone she loved,
how she knows he loved her, too.
It’s not a story she had wanted to live,
but now that it’s hers
she would never give up a page
of their story. Not a single word.

*

this poem has been published in ONE ART

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As Francis lay dying
in his humble hut,
he wrote a praise poem
that honored Sister Death.
And when death came
to dance with him,
he did not shun her
nor shame her nor
push her away.
He embraced her
the way he embraced
the sun, the wind,
the water, the air.
He claimed her as family,
as dance partner, guide.
Oh Francis, here
in the hut of my heart
is a wooden box of ashes
about the size of a baby.
I can cradle it, carry it,
sway with it slow
the way I once did
with the boy in the box, now dust,
the boy the coroner
swaddled in white.
I did not want this dance.
I stumble. I trip.
I am awkward, ungainly.
Sister Death is certain, serene.
I would have barred
the doors if I could have, Francis,
but now she walks with me,
sleeps with me, makes
dinner and cleans with me.
There is no locking her out.
She brings me the costliest gifts:
Trust in life. Immeasurable love.
Perfume of the great mystery.
I tell her I’d trade them all back
for my son. She whispers,
Oh, sister. Dance with me.

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Dear friends, 

It has been seven weeks since I sent you a poem–seven weeks since my son chose to take his life. Thank you for all the ways you’ve supported me in this time–prayers, emails, letters, gifts. Though I have been unable to respond to all your kindness with personal notes, please accept my enormous gratitude. Thank you. Thank you for all the love and kindness I have felt surrounding and infusing me–I have never felt alone. I am so grateful for you. 

I think I am ready to continue the daily sharing. We’ll see how it goes. 

with love, 
Rosemerry




Digging Potatoes, 2021



I am not the woman I was
a year ago when my son and I
harvested potatoes. Today
I must look like her—
bare hands in the dirt,
sunhat on. But she did not know
the deep loss of losing a son.
Perhaps she’d imagined it.
That is why she did everything
she could to keep such a loss
from happening. But the woman
I am today knows all too well
what I cannot control.
I plunge my fingers
into the cold earth
and talk to my son
as if he can hear me.
I miss you, I say. And I reminisce
about all the other years
we did this together. I ooh
at the size of the potatoes,
hold them up as if he can see.
What does love care of absence?
Love grows, despite death—
it roots in each cell and insists
on tendrilling, touching everything.
In the middle of the night,
a voice commanded me to remember:
Life needs us to live it.
All day I puzzle over the message.
All day I lean into the words.
I say them out loud as I pull out
potatoes, ask my son what he thinks
it might mean. No reply. He has become
one with life now in a way
I cannot yet understand.
And so I breathe into it, this chapter
of loss, this life needing me to live it.
All around me, inside me,
I notice how so much is changing, notice
in each moment, a new invitation.

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When in Rome




What a loss it would be
to not have born so I
would have missed a
Thursday night like this
in which my son and I
walk the dark streets
in Georgia and watch
the lightning transform
the sky into pink flares
and smell some sweet
unnamable flower and
talk about Dodge Chargers
and knees and roaches—
I swear it has all been
worth it, every second
of fifty-one years, for this
hour in which there
are no bells, no shoulds,
no other tugs except
to take the next step
down the centerline
together
while in the distance,
raps another clap
of thunder.

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I try not to take it personally.
The country is not for everyone—
lazy stream and open field
and airy glades of cottonwood.
I walk out in the dead grass
and realize how much I love
the dead grass. How much
I love the red stained willows,
bright squawk of jay and scent of mud
and lack of pavement, lack of horns,
lack of benches and stores and street lamps.
I prefer the bustle of birds at the feeder
to any human throng.
 
It isn’t wrong for him to love something else,
the heart loves what it loves,
though I long to defend the smooth flat stones,
the hawk that even now circles the field,
the mice making arteries through snow.
I wish he were happy here, says the heart,
unable to reconcile the rift.
Across the river, snow sifts in thin white wisps,
escapes through dark red cliffs.
 

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I had imagined we’d see dozens of meteors

   streaming across the sky, streaking,

      flaming, impossibly bright.

         Instead, I lay on the driveway

between my son and daughter

   and we stared into the night,

      laughing and singing and listening

         to the sound of the earth turning,

the pavement hard beneath us—

   and above us, the whole

      starry firmament unfolding.

         Not one shooting star did we see, no, but oh,

how the milky way swirled all around us,

   our eyes wide open, my heart soaring, swarming,

      a small piece of matter burning up,

         glowing, impossibly bright,

never quite touching the earth.

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While I heat curried asparagus soup,

my husband and son cover garden beds

with thick gray blankets.

I watch them from the kitchen window,

my son now taller than his dad.

How quickly he bolted, bolts still.

I think of the ways

we try to protect what we grow.

The threat of frost is real.

Like the bean sprout that didn’t make it last night,

despite the fact we covered it.

This morning it was waxy, shriveled, dark.

How quickly it died.

But because my husband made row covers,

everything else survived.

I would like to make a row cover

for my son, for the world—something

to protect against what is harshest, most cold.

Instead, I mix lemon juice, yogurt

and chives that we’ll swirl into the soup.

I can fortify him on the inside.

My husband tacks down the cloths

with hammer and nails—I think

of all that will be saved tonight.

We are charged to take care

of each other, the world. Impossible charge.

My son catches my eye and smiles.

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And so I pull the purple comb

through my son’s thick hair,

the same way I’ve seen

the stylists do at Great Clips.

Wet the hair. Comb it through.

Part it. Hold it between

two fingers. Cut vertically. Snip,

and his hair falls to the floor.

Comb it through. Snip. Snip.

 

We both know that I

have no clue what I’m doing.

So we laugh as the hair

piles up on the floor.

We chatter, the way

a stylist and customer would,

talking of school and his friends

and his unruly cowlicks. Snip.

 

I remember that time

I was trapped underwater

by the river’s hydraulics,

how I stared up at the light

shining through the surface

and thought, I don’t think

it’s my time yet to die.

And the river spit me out

and I swam hard as I could

through the rapid toward shore.

 

I don’t think it’s my time yet

to die. Nor my son’s. Though

all around us the news of dying—

the numbers increasing every day,

stories of beloveds who are gone.

 

We ask ourselves, how do we

go on? And meanwhile, we do.

We go on. And because my son’s hair

is too long for his taste,

I learn how to cut it by cutting it.

How much more will we learn

as this goes on? How to share?

How to grieve? How to let go? How to live?

 

And meanwhile, life spits us out

into sunlight, and we come up

spluttering, gasping, surprised

we’re alive, and we swim, what a gift

to find we’re still swimming.

 

 

 

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Quarantine

 

 

This morning, my teenage boy and I

sit quiet on the couch. He does not move

to pick up his phone. I do not rise to work

or rush to make a meal. We sit, leaning

the trunks of our bodies into each other.

We do not say much. I close my eyes

and cherish his sapling weight.

There are so few people I dare now hug—

our hands, our bodies dangerous—

but here in this house so still I can almost

hear him growing, here in these minutes

that fell off the clock, here I remember

how surely we baptize each other with touch.

Such simple blessing. Silence. The metronome

of breath. The leaning in. Infectious love.

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